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VHCC’s Art on Campus Program

VHCC Sculpture Students Artist Statement for Wall Mounted Public Art project, Spring 2008
VHCC’s Art on Campus Program is thrilled to be able to present to you an exhibit prepared specifically for your viewing pleasure. The Introduction to Sculpture Class (Spring 2008) was tasked with creating a public art project, and given only two weeks to make it happen!

Instructor Val Lyle tells us that they were challenged to make a large (48” x 48” minimum) wall hanging artwork with a three-dimensional element (bas relief) suitable for public viewing and enjoyment. The finished work had to be ready to hang and have elements that protrude from the wall that are not dangerous to viewers. Large sheets of archival Tyvek paper were supplied to the students as the primary material; additional materials could be added as necessary. The students were encouraged to “push the boundaries” within these parameters, while cautioned to remain within “common sense good taste,” treating the assignment as if it were for a corporate client.

Ms. Lyle also said that this is one of ten sculpture projects students will complete this semester. Other projects will include clay, wood, metal, plaster, and found objects. For each project, there are classroom discussions about commercial applications, commissions, fabrication and how to make a living as an artist. Students are encouraged to make a portfolio of their artworks completed in class and to enter competitions.

All works are for sale as noted next to each piece. (NOTE: The College does not engage in the sale of the art work – contact the student directly if interested.) VHCC student participating artists: Leif Smith, Samantha Sexton, Todd Jessee, Jessi Fritz, Brett Cook, and Deana Clement. Val Lyle also created a piece for this exhibit.

This exhibit will be available from March 21 through May 9, 2008. Please be sure to travel the hallway of the first floor of the LRC building – with one piece located inside the Library. Hopefully this is the first of many student exhibits, whether they are specific new assignments or already existing pieces. The photos shown below do not present the full impact of each piece. We hope you’ll be able to see them in person!

Coordinators for the Art on Campus Program are Gary Aday (Associate Professor of Speech & Drama and Assistant to the Dean of BH&SS – gaday@vhcc.edu), and Tanya Rios (Secretary, Vice President of Financial and Administrative Services Office, trios@vhcc.edu). Let them know what you think or if you know any students and/or local artists who might like to have a show!

Underwater World by Deana Clement Deana Clement
“Underwater World,” Mixed Media, 2008. $150

This piece is intended to be eye catching. The bright colors and tropical fish create this underwater world to ease the mind.

   
Triolet by Brett Cook and Lief Smith Brett Cook and Lief Smith
"Triolet,” Mixed Media, 2008. $300

Triolet Ilyena is the alien Goddess of the Embrace of Chaos. This interpretation of her physical manifestation is made from found objects, scraps of paper, acrylic paint, and other things.

   
Sunburst by Jessi Clair Fritz and Samantha Leigh Sexton Jessi Clair Fritz and Samantha Leigh Sexton
“Sunburst,” Mixed Media, 2008. $300

Sunburst is a playful array of triangles and buttons. The colors add to the cheery appearance. It is made from food coloring, oil pastels, construction paper, and potato stamps.

   
The Rising Sun by Todd Jessee Todd Jessee
“The Rising Sun,” Mixed Media, 2008. $300

“The rising sun signifies the start of a new day, something everyone has to acknowledge. Whether it’s gloomy, sad, happy or glad, rise up and face the dawn of a new day.”

   
White on White, what colors are the shadows? by Val Lyle Val Lyle
"White on White, what colors are the shadows?" Mixed Media, 2008. $300

Using a simple three dimensional form from childhood (the pinwheel), I have created a complex pattern by altering not only the direction of the pinwheels, but also the spacing on the surface. The result causes the viewer to look longer, searching to understand when and where the established patterns vary. Absence of applied color allows the viewer to enjoy form, repetition, and pattern as elements in their own right. This piece is intended to be visually engaging as its primary function, virtually absent of content, so that the viewer might have a moment of pause free from external content.


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